SEQUENCE OF THERAPY FOR  PARKINSON

It is a progressive disorder of the nervous system, 50% of the patients generally generates symptoms before those 50 years, it is characterized by four main symptoms: the rigidity of the arms, legs or neck, tremor commonly of the hands, slowness and reduction of movements, lost of balance, uncertainty, other symptoms that accompany are the depression, insanity or confusion, deformity postural, speech and to swallow with difficulty, vertigo, impotence, constipation and frequency urinaria, one of the big consequences is the lost of dopamina in the organism that is a chemical messenger that connects terminal nervous with nervous terminal. -
The bradykinesia is the desactivacion symptom of the movement, it includes slowness and lost of movement, it retards the beginning to move, frequent interruptions of movement, exhaustion and the inability d to execute two movements at the same time the patient of bad of parkinson he/she differs of that of brakydermia because one is weak and paralyzed and the Other one has an inability to move due to the lack of power, the parkinson wrong has enough power, but it cannot move quickly.
The secondary symptoms are the insanity or that that and the same thing the lost one by heart and confusion happens in 30% of the patients, the depression is frequent appearing in or 50 to 75% of the patients due to chemical disproportion of, another of the symptoms is the enmascaramiento of the muscles facial, the vertigo is relative to the reduction in the pressure sanguine, increased by the dopamina lack, the lack of air is of a combination of thoracic rigidity, the symptoms of fire in the muscles, cramps and pains is due to the descompensación chemistry, lacks of I oxygenate and accumulation of lactic acid.
L to poverty of movements and the initiative lack in the parkinson illness can take in the course of the time to a dependence state but or fewer advancing, to impede this a program of exercises it will be included in the daily life.
It is important to maintain the mobile articulations; head, trunk, arms, legs, hands, feet, since the dysfunction resides in that in general few movements are made and these they leave weakening when carrying out them for long time, in the program is to make stress in big and wide movements allows to correct the permanent one position flexionada and they facilitate a bigger movement freedom.
To overcome with but easiness to the lack of initiative the instructor has auxiliary acoustic means, as for example; a clap or a word that he/she announces the exercise clearly, a ball favors the capacity of sudden reaction especially, for example with another person that throws it to the sick person, or to the air, leave it to rotate, the rebound or it grabs it, one can obtain a variation of the sequence by means of the use of maces or cane. -

INTRODUCTIONS FOR THE CINESTERAPIA

It is important to maintain the mobile articulations: head, trunk, arms, legs, hands, feet, since the dysfunction resides in that in general few movements are made and these they leave weakening when carrying out them for long time, in the program of asanas and movements should be made stress in that you/they should be movements wide and big that allow to correct the permanent position flexionada and they facilitate a bigger freedom of movements

1) in the initial position the patient it should be sat down in the 1/3 previous of the seat, the hips and the knees they are flexionadas in an angle of 90° with the plants of the feet supported in the floor.

2) the cane rises above the head driving him very near the trunk (to follow the cane with the view)


                                             

3) to incline the body forward until playing with the cane the floor - to carry out the exercise the other way around but to leave the cane in the floor, and of erect position to pick up it of the floor.


SEQUENCE OF EXERCISES WITH BALL

1) to make bounce the ball from behind to the right toward the left happening for before the feet (to make the exercise changing hand and of rotation)

2) it is made bounce the ball and he/she takes with both hands of the right side. - (bis of the left side)

3) he/she spends the ball with both hands to the other side above the head. -

4) to throw the ball to the patient for on the head, it should grab it with the two hands. -

5) to throw him the ball to the feet rotating and he/she should take it with the two hands

SEQUENCE OF EXERCISES WITHOUT APPARATUSES

1) clap up to the right

2) clap very below the left knee

3) to straighten out and to put the hands on the knees

4) to stretch right arm and left leg in diagonal to the maximum. - (bis contrary)

5) they are played the right elbow with the left knee for before the trunk. - (bis contrary)

6) to elevate right knee. - (bis contrary)

7) to raise to the maximum the foot without lifting the check (bis contrary)

8) to stretch the leg and to take the tip of the foot toward the body. -

9) to get up of the stool and to sit down - first to incline the trunk toward before - to lift the body maintaining the hands in the stool - third come unfastened the hands and he/she straightens out the trunk. -



10) when balancing the arms forward to stand up. -

11) stopped a clap is given on the head. -

12) to sit down is to put the hands in the seat. With the arms stretched forward. -

13) to walk dragging the feet that at the beginning frequently it can be very marked, he/she improves with the acoustics, a person accompanies announcing the corresponding step, the order it should be given in form white and simple.

14) I pass with the right foot and at the same time to give a clap ahead of the body. -

15) I pass from behind with the left foot and clap of the body. -

16) to walk coordinating the arm with the leg of the same side. -

ASANAS OF BALANCE AND SPACE COORDINATION
 


ELONGATION ON THE WRONG DE PARKINSON

Of foot, right hand under the left elbow, to hold him and it stretches the arm, to bend and to bring the hand to the shoulder, to repeat 5 times of each side. -

Left  Brazo bent to the height of the one elbow, with the right hand to take the fingers, to stretch the arm to press the I flow toward inside of smoothly, the fingers toward the floor, the hand and the doll as much as possible they make right angle. -

With the crisscross hands, to stretch the arms on the head to the maximum, later to the front. -

Stretched arms, to hit the palms to the front, to hit the palms under the leg that flexionada should be. -

Of foot applauding in the left side, in the right side
Sat down to stretch right leg, to take the tip of the foot toward inside. -